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Comment on recharging your Mobile Device using Pedal Power with weekend by shadow projects

030-ac-leads-attached-to-generator

022-screw-down-cord-lugs

In our last weekend powered by RadioShack project you'll create a simple load circuit housed inside a box of the speaker. This circuit will receive electricity from a generator of bicycle producing alternating current (AC). The charging circuit will initially correct and then regulate the output voltage to a steady stream of current DC 5V (DC). It is a load suitable for your mobile phone or any other mobile device that requires 5V DC.

The adaptaplug system will allow you to quickly swap the Jack of any device you want to charge, keeping the same circuit mounted to your bike frame. The circuit is capable of charging a battery or power a live system, as a boombox, pedal like a portable while you ride.

We call this project, the Pedal Power phone charger! Our is attached to a bicycle frame, but the generator can be attached to anything that receives the energy of rotation. If create you your own version of this project, or find another application for this, be sure to take pictures of your construction along the way and send us a story about your project.

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Comment on ten tips for drilling holes better saleswoman at home

A few correctly used and maintained can be long, so know that bits are not suitable for what job. From left to right: small piece of wood, bit HSS, spade bit, circular saw, cobalt bit, concrete drill.

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Comment on solar portable charger / device of http://autochargers.soup.io/post/319856495/Discover-Why-People-Like-The-Smart-Battery

Solar Laptop/Device Charger

First of all, be careful with these batteries. I used older packages of battery-operated Cordless 18-Volt tools you get at Harbor Freight, and if you're not careful you can zap yourself good enough if they still hold a charge. If you have access to new batteries Ni-Cad (glance at eBay) I would go that route, although $ is always a limiting factor.

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Comment on Japanese Toolkit by Scott W. Vincent

M34_JapaneseTlbx_IMG_6491

The first time I stumbled on a box like that, it was housing a circular saw. It was made of rec room wood paneling, pine of scrap metal and roofing nails. While not much to look at, it was strong, and the action of the removable cover fascinated me. A few months later, I learned that there is also the joint project for the Japanese Carpenter Toolbox. I knew I had to make one, so with some 1 × 12 s in hand, I had to it. Over the past 15 years, the box has led my tools in almost every big job. The problem is because I built it to fit my hatchback instead of to adapt to my tools, it is kind of big for what I need on most jobs. So instead of continue tool tips in my old Messenger bag, I thought it was time to build a new, smaller.

As with all woodworking projects, there are several ways to accomplish the same task. The tools and techniques I show here are to be considered as an option, not the only way. Use all the tools, methods and materials of sense to you. You can avoid a lot of frustration by selecting the best advice you can find. You are looking for pieces that are straight, flat and without twist. Sometimes, this means going through all the tips that their disposal; Sometimes, this means get 2 boards, so you can cut around defects.

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Comment on Build a pedal powered generator by Premium Raspberry Ketone Review

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David writes – “Every morning, I pedal to generate electricity. The Pedal Generator charges batteries, that run an inverter, that produces 110v AC, that powers LED lights, the monitor on my computer, and many other small battery-powered things. It is the most inspiring workout you can imagine. “ [via] – Link. There are plans available for purchase on the site for $50 – if anyone built one of these post on up in the comments.

Editor at large - Make magazine. Creative director - Adafruit Industries, contributing editor - Popular Science. Previously: Founded - Hack-a-Day, how-to editor - Engadget, Director of product development - Fallon Worldwide, Technology Director - Braincraft.

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Comment on American Steel: Making on a Large Scale by MAKE | Remaking West Oakland

I’ve never been to Burning Man (I know, I know), but on a recent visit to American Steel in West Oakland I felt like I got an insight into the event that few ever see.

American Steel was once the repair shop for ships working out of the Port of Oakland. The mammoth building’s 10-ton bridge cranes were used to hoist some very heavy objects. The facility was also used for large-scale pipe fabrication. But the ship repair and pipe fab eras ended long ago. American Steel sat empty for 30 years until artist Karen Cusolito rolled up the doors and moved in.

In 2005 she was commissioned to build a 30-foot tall sculpture for Burning Man and American Steel’s lofty ceilings and burly cranes made it just the kind of space she was looking for. She built her amazingly human sculptures out of twisted steel and scrap metal and then left, leaving American Steel vacant once again. But she got another commission and returned to facility. Word of American Steel spread through the Bay Area’s art and maker community and Karen realized the region needed the facility. Long story short, she leased the building (it’s the size of a city block) and sub-leases space to a wide range of tenants. About one-third of Am Steel’s tenants create art for Burning Man, but the rest do any number of things. There are artists, brewers, silk screeners, electronics shops, metal fabricators, sculptors, and even an organic fertilizer company. It’s now called American Steel Studios and there are 164 tenants in all.

“This is a gritty neighborhood, but there’s some real beauty being created,” says Karen. “The arts add a lot to the community and we are a community unto ourselves.

That community spilled over to help create Peralta Junction across the street, a mix of maker faire and carnival.

American Steel Studios is unique in the U.S. because its size, cheap rent, and those giant cranes. Industrial scale artists and designers from across the United States come here to make big stuff.

Walking around American Steel allowed me to peek into the workshops and creative spaces of dozens of artists and makers. It was inspiring. Karen was in the process of readying seven of her gargantuan sculptures for a journey the Brazilian rainforest where a private collector purchased them. Here are a few photos of what I saw.

Start the Slideshow

Stett is a senior editor at MAKE.

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Comments on Knitted Hat of Pizza in the direction of Giraffe by Bob sponge

By: Michael ColomboComments: 35By: Jason Poel SmithComments: 19: Michael ColomboComments: 10Sorry, I could not read the content fromt this page.
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Comment on HOW TO – Tie the 10 most useful knots by Bluehost Coupon

057-080-01-01
Here’s a guide on how to tie 10 useful knots including -

Overhand KnotFigure-eight KnowReef (Square) KnotSheet (Becket) BendCarrick BendBowlineClove HitchTimber HitchTaut-line HitchSheepshank

How to Tie the 10 Most Useful Knots – [via] Link.

MAKE reader Bill notes that you should really check out Animated knots too – Link.

Related:

Knots or Not – Link.Tie Yourself in Knots – Link.HOW TO – Tie knots! – Link.Make knots – Alaska museum of fancy knots – Link.The Big Book of Bends – Link.

Editor at large - Make magazine. Creative director - Adafruit Industries, contributing editor - Popular Science. Previously: Founded - Hack-a-Day, how-to editor - Engadget, Director of product development - Fallon Worldwide, Technology Director - Braincraft.

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Comment on Japanese Toolkit by Scott W. Vincent

M34_JapaneseTlbx_IMG_6491

The first time I stumbled on a box like that, it was housing a circular saw. It was made of rec room wood paneling, pine of scrap metal and roofing nails. While not much to look at, it was strong, and the action of the removable cover fascinated me. A few months later, I learned that there is also the joint project for the Japanese Carpenter Toolbox. I knew I had to make one, so with some 1 × 12 s in hand, I had to it. Over the past 15 years, the box has led my tools in almost every big job. The problem is because I built it to fit my hatchback instead of to adapt to my tools, it is kind of big for what I need on most jobs. So instead of continue tool tips in my old Messenger bag, I thought it was time to build a new, smaller.

As with all woodworking projects, there are several ways to accomplish the same task. The tools and techniques I show here are to be considered as an option, not the only way. Use all the tools, methods and materials of sense to you. You can avoid a lot of frustration by selecting the best advice you can find. You are looking for pieces that are straight, flat and without twist. Sometimes, this means going through all the tips that their disposal; Sometimes, this means get 2 boards, so you can cut around defects.

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Commentaire sur de DIY Hacks & How To : commutateur chandelier Secret par asciimation

Screen Shot 2013-07-15 at 3.24.11 PM
By Jason Smith of Poel

No feature in a home captures the imagination like a secret compartment or the secret passage. But no secret compartment is complete without a secret way to open it.

In this project, I share several ways that you can use a single chandelier hanging (or something else) to access a hidden compartment. There are many ways that you can do. You can use a candlestick to open latches on physical and activate electrical circuits. The only limit is your imagination. Therefore use this as an excuse to have fun and build a secret compartment in your home.

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Comment on Pedal Power Phone Charger by Lena harper

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Comment on In the Maker Shed: Drum Kit Kit by portable vaporizer reviews

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Comment on How-To: DIY Seed Tape by Debbie

DIY_seed_tape.jpg
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AmberLee of Giver’s Log points us to a tutorial she put together last year for making your own seed tape.

The intent of seed tape as I’ve seen it is to make planting easier when you have teeny tiny seeds that need to be planted just inches apart (like carrots and radishes). But it’s also fun for gifting flower seeds or giving away seeds you’ve collected from your own garden. And it’s a pretty simple and very kid-friendly project.

Such a brilliant gardening idea, and such a nice-looking gift as well. Love it!

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Comment on DARPA’s New Humanoid Robot, ATLAS by neutrox

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Comment on HOW TO – Make your own G-force meter by force factor ramp Up reviews

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Comment on Lawnbot400 by billy jones

Lawnbot400

I have always hated mowing the lawn. I was the guy who only mowed when the grass got to be 6" taller than the neighbors’ lawns — not because I don’t like my neighbors, but because mowing was such a pain. After being hit by one too many rocks, I decided I no longer wanted to stand behind a mower while cutting the grass. I also realized that if I got a riding mower, I’d still be right in the middle of all that dust and pollen.

I started thinking, what if I could mow the grass from the back deck, or even the computer? To handle my 1-acre backyard’s hills, dips, and rocks, an R/C lawn mower would have to be very sturdy, be controllable from a good distance, and have enough battery power to last several hours. I built the Lawnbot400 to meet these criteria.

Basically, if you took the wheels and handlebar off any old gas-powered push mower, bolted it into a sturdy metal frame with 2 electric wheelchair motors, and added the electronics needed to make it move, you’d have the Lawnbot400. I control mine with a standard hobby R/C transmitter and receiver, but with just a few modifications it could be made autonomous.

Steering the Lawnbot is simple. Move the left control stick up, and the left wheel moves forward. Move the right control stick back, and the right wheel moves backward. Both sticks forward and you go straight ahead. This is called “tank steering,” and it gives the Lawnbot400 a zero turn radius.

The pieces that enable this control are a bit more complex. The hobby R/C transmitter encodes the control sticks’ positions and sends them to the receiver using pulse-position modulation (PPM), which encodes a value, such as the desired position of a servo, as the ratio of ON time to OFF time in a fixed-duration series of repeated pulses. But the H-bridge motor controller that supplies variable voltage to the wheelchair motors needs a simpler pulse-width modulation (PWM) signal, in which the pulses don’t repeat within a fixed time frame. So I used an Arduino-based microcontroller to translate the PPM R/C signal into PWM for the H-bridge.

The H-bridge uses transistors to convert the 0V–5V PWM values into straight 0V–24V DC voltages running from the batteries to the motors in both directions. The wheelchair motors are electric, so the bot will drive even if the gas-powered mower isn’t running. Instead of buying an H-bridge, I chose to build my own. (It should be noted that I didn’t plan to take the easiest route in this project. Instead, I wanted to learn how each electronic part worked, so I’d know how to fix it if it broke.)

I didn’t want to donate my Arduino to the project, so I made my own controller with screw terminals on each pin for secure connections during bumpy rides. Like an off-the-shelf Arduino, this board serves as a breakout board for the ATmega168 microcontroller chip, and it has its own 5V regulator (LM7805), 16MHz crystal, power LED, and reset button. I also added a header to the board for my R/C receiver to plug directly into. My board lacks the standard Arduino programming port and FTDI USB chip, so to use it, I simply program an ATmega chip in my Arduino, then swap it over.

With all of the above, I got the Lawnbot400 running successfully, and in the next version, I added a fail-safe to keep the bot from running away if it loses its signal. The fail-safe uses a second (even simpler) Arduino-compatible breakout board to read a third R/C channel, controlled by a toggle switch on the transmitter. The code reads this channel using the PulseIn method and sets a digital output pin accordingly. If signal is present, the output pin stays on, which uses a 5V relay circuit to keep a 60-amp relay open, to let the main 24V battery power reach the motor controller. But if the bot gets out of range or the switch is turned off, the channel reads LOW and motor power shuts off until signal is restored.

Both the R/C and fail-safe control boards were simple to build and cost around $12 each. Later, I figured out how to add fail-safe handling into the main R/C code, so you could use just one microcontroller chip with all 3 channels, but this would sacrifice some safety. If the sole ATmega goes crazy and stops responding, you’re out of luck, whereas it’s highly unlikely that both chips will fail at the same time. So I still use the separate, dedicated fail-safe.

Here’s how I built my latest Lawnbot400; see the Substitutions box on the previous page for easier options that will have you mowing from your deck chair sooner.

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Comment on MAKEcation: Powered bikes! by kik for pc

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Comment on Digital TV Coat-Hanger Antenna by Jason

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Comment on Wii Nunchuk Mouse by npetrie3

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Comment on Pocket-Sized Power Supply by ems-inview.com

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Comment on Disneyland and the Coming Maker Singularity by Ken Denmead

MAKE Editorial Director Ken Denmead interviews Adam Savage on May 19 at Maker Faire Bay Area. (Gregory Hayes/MAKE) MAKE Editorial Director Ken Denmead interviews Adam Savage on May 19 at Maker Faire Bay Area. (Gregory Hayes/MAKE)

I’ve been Editorial Director at MAKE for eight weeks now, and much of it still seems a bit like a dream. Of course, it started with the week of Maker Faire Bay Area, which is like a journey to another state of consciousness involving 16-hour days, fire-breathing dragons, and meeting mythical folks like Adam Savage (@donttrythis), Grant Imahara (@grantimahara), and Veronica Belmont (@veronica). After seven years of attending (usually running a booth as a sponsor), I’ve started to really be able to see the evolution of the show, and get a real sense of what the Maker Movement is all about.

It’s just people doing what they love; creating, designing, building, testing, re-building, perfecting, learning, showing-off, and living a constructive life.

In an earlier editorial piece I wrote a few weeks ago (Why the Maker Movement is Here to Stay), I noted that there have been folks doing this forever. That what makes the Maker Movement a distinct thing is the communication and sharing allowed by the Internet. That makers who were once isolated are now connected, and that the networking allowed by these connections amplifies the creative effect by orders of magnitude. It’s kind of like a Maker Singularity. Through all this sharing of information, all this building of new things, or re-creation of old things that we can do at home, in our workshops instead of in factories, we’re generating a massive, self-aware Maker Consciousness that will lead us into a new epoch of creativity and craftsmanship.

Or, you know, we’ll keep making automatic cat feeders. That’s cool, too.

Next week, my family and I are traveling down to sunny Anaheim to spend a week at the Disneyland Resort (I plan to split my time between the Uva Bar in Downtown Disney, the Cove Bar behind Ariel’s Grotto, the lounge at the Carthay Circle, and the Hearthstone Lounge in the Grand Californian – sense a theme here?), and with all this talk about makers before the Maker Movement, it reminded me of this wonderful video I saw of late:

First of all, if you don’t know about the Disney History Institute, go check it out. So much neat history and imagery there. Second, this video made me think about Walt Disney as a maker. Disneyland was the first modern theme park. Before it, there were amusement parks, but those were a different beast. Walt created the idea of a park built around a theme, and today the Disney parks are the gold standard against which all others are measured.

But what’s really interesting to see in the video collection above and the notes that go with it is how much was unfinished, or tried and quickly discarded. There were no costumed characters in the first year (they borrowed costumes from the Ice Capades show for special occasions). They had cool motorboats. There were safety violations galore. There were rides next to piles of dirt! Disneyland was, at its start, very much a work in progress, being made and re-made as it went, on a shoestring. It was a maker’s paradise.

Here at Maker HQ, that kind of energy is all around. Right now, we are in the middle of so many programs and projects, it’d make your head spin. We launched Maker Camp this week, which is just amazing; kids from all over the world sharing in the joy of making. If you haven’t, you should join the Maker Camp Community, just to see the projects they are sharing. It will inspire you!

We’re also hard at work on two volumes of the magazine slated to come out before the end of the year. V36 is going to be all about boards – you know, things like Arduino and Raspberry Pi. There are so many new ones out there, that it’s hard to keep up! So, we’re collecting all the up-to-date info available: especially all the cool specialty boards coming out of crowdfunding sites. So often, the people behind these are just awesome makers who had the need for a feature that wasn’t out there on the market already, or required serious modding to achieve, and so they designed their own board and offered it up for anyone else with the same needs. Definitely one tendril of the Maker Singularity at work!

[Here's a little inside-baseball on assembling a magazine: one of our biggest challenges right now with respect to the Boards issue is coming up with a compelling cover image/design. How do you create a magazine cover about a small green and black piece of electronics so exciting, so compelling that it flies off the shelves? It's a question that our Creative Director Jason Babler is struggling with. Feel free to post your ideas in the comments!]

The other magazine in progress is an update to our 3D printer guide. I can’t tell you too much about it (our Technical Editor Sean Ragan is keeping things under wraps until we have our big weekend testing blitz), but with all the new machines that have come out over the last year, and all the innovation going on in this space, we’re taking this one to 11. Just know that we take our job providing this important resource to makers very seriously.

We have our partnership with RadioShack helping us put out some amazing Weekend Projects. If you are an electronics enthusiast, you’ll really want to check them out (I was very proud to do the voiceover for the first one). It’s so neat to see RadioShack embracing this space again!

new-york-circle-logoAnd at the same time as all of this other stuff, planning is underway for World Maker Faire, in New York in September. I’m really excited to go to NY for my first WMF this year, because while I know there’s a lot of the same energy as Maker Faire Bay Area, there will be so many new things to see. And there’s a place where you can help out. Our Call for Makers is open right now. What does that mean? It means if you’re a maker, if you’re creating cool stuff, apply to us and you might get a free space to come show it off at the Faire! Here are the kinds of things we look for:

Student projectsRoboticsArduino projectsRaspberry PiSpace projectsFood makersConductive materials projectsKit makersInteractive art projects3D printers and CNC millsTextile arts and craftsHome energy monitoringRockets and RC toysSustainabilityGreen techRadios, vintage computers and game systemsElectronicsElectric vehiclesBiology/biotech and chemistry projectsPuppetsKitesBicyclesShelter (tents, domes, etc.)Music performances and participationUnusual tools or machinesHow to fix things or take them apart (vacuums, clocks, washing machines, etc.)

And that’s not even the tip of the iceberg. So, consider applying. I’m personally trying to get some geeky music acts into the mix. I’ve been podcasting about nerdore, chiptunes, and more with my buddy Z (@hipsterplease) for years now, and these folks who are making cool music, often hacking their own instruments and creating imaginative shows on a DIY basis are inspirations. And if you’re not local to the event, we even have a special Road to Maker Faire Challenge going on, that could help you get there.

RTMFC_620x120

The Road to Maker Faire Challenge will award $2,500 to one winner to bring his or her project to World Maker Faire on Sep. 21 & 22, 2013 in New York. Use the funding for materials, transport, or anything else you might need to get to Maker Faire. Applications are due by 11:59pm PT on August 5, 2013.

Enter Now!

You can count on hearing more from me here on the blog. My goal is to get some conversations going with all you great makers out there. We’re here to talk WITH you, not just at you, and we want to generate more of that two-way communication. As always, you can submit links and project ideas. I’m also running an experiment with a Make Magazine SubReddit, so folks can submit links and vote on them to tell us what everyone really wants us to write about. You can always nudge me on Twitter. And please, if there are subjects you’d like to hear more about, or you’d just like to say hello and tell me about what you’re working on, leave a note in the comments. We read every one!

p.s. In a strange, synchronistic manner, the press release for the trailer for this movie that I had not heard about just dropped in my email. The story of Walt Disney cajoling the rights to make a Mary Poppins movie from P.L. Travers, with Tom Hanks as Walt and Emma Thompson as Mrs. Travers. I can’t wait to see this!

Ken is the Editorial Director of Make. He's not sure what that means, other than he oversees your digital connection with Make, be that reading the magazine, the blog, chatting on social networks, or bugging you at Maker Faire. He's a husband and father from the SF Bay Area, and has written three books filled with projects for geeky parents and kids to share. He feels extremely lucky to get to do what he does, and hopes he can help you feel that way, too.

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Comment on A Halloween Sound Trigger with Raspberry Pi and Arduino by Eibhlin

People have been asking me about interesting applications for the Raspberry Pi, and whether Raspberry Pi is an Arduino killer of some sort. The answer to the second question is no; in fact it is an Arduino augmenter. This blog post answers the first question with another question: how about a Haunted House sound effects machine?

A new revision of the Early Release of Getting Started with Raspberry Pi came out last Friday. I read Matt Richardson’s chapter on using Pygame with the GPIO pins on the Pi, which included a simple Sound Sample player. I adapted his example to work with an Arduino that talks to the Pi over a serial connection; this skeletal (ahem) hookup could easily be incorporated into some sort of Halloween installation. I decided to use Arduino for reading the inputs because out of the box it is more robust and can handle a wider variety of inputs. Also, there are many existing Haunted House triggering demos out in the wild that use Arduino.

First, you’ll need to prepare the trigger circuit. The following example uses three toggle switches, but you can replace those with any kind of on/off input. In a haunted house (or porch-based trick-or-treater installation), a PIR sensor would be handy for triggering based on proximity.

Here’s the basic schematic:

The 10k resistors can be replaced by the Arduino’s own internal pull-up resistors, if you know how to do that.

I connected the Arduino to the Raspberry Pi using a USB cable. While I had the Pi hooked into a monitor, I found that I could just plug the Arduino through my Mac keyboard USB connector and it got enough power from that to work. If you have an older Raspberry Pi with polyfuses limiting the power on the USB port (check to see if you have 2 little green fuses marked “1104? next to the USB ports), you may need an external hub, or run the Pi headless to free up a USB port.

Next, upload the following sketch to the Arduino:

// PiTalk.ino// Reads three digital inputs. These could be any kind of // switch or (for Halloween) PIR sensors.byte onState[3] = { 0, 0, 0 }; // save the state of each pinvoid setup() { Serial.begin(9600); // Open serial connection pinMode(2, INPUT); // Set these three pins for reading pinMode(3, INPUT); // Each have a 10k pullup externally pinMode(4, INPUT); // so a trigger is LOW}void loop() { for (int i=0; i<3; i++) { // Iterate over pins if (digitalRead(i+2) == LOW) { // Check if triggered if (onState[i] == 0) { // Just triggered? Serial.write(i+2); // Send the pin number onState[i] = 1; // but just once } } else { onState[i] = 0; // Not triggered } } delay(20);}

You can use your computer to do upload the program, or you can download and install the Arduino IDE directly on the Raspberry Pi (as described in the next release of Getting Started with Raspberry Pi).

Once the Arduino is programmed, open up the Leafpad text editor on the Raspberry Pi and enter this Python program, adapted from Matt’s Sound Sample Player:

# playSounds.pyimport pygame.mixerfrom time import sleepfrom sys import exitimport serialpygame.mixer.init(44000, -16, 1, 1024) soundA = pygame.mixer.Sound("Scream.wav") soundB = pygame.mixer.Sound("WilhelmScream.wav")soundC = pygame.mixer.Sound("CastleThunder.wav")soundChannelA = pygame.mixer.Channel(1) soundChannelB = pygame.mixer.Channel(2)soundChannelC = pygame.mixer.Channel(3)print "Sampler Ready."serialFromArduino = serial.Serial("/dev/ttyACM0",9600)serialFromArduino.flush()while True: try: val = ord(serialFromArduino.read()) print(val) if (val == 2): soundChannelA.play(soundA) if (val == 3): soundChannelB.play(soundB) if (val == 4): soundChannelC.play(soundC) val = 0 sleep(.01) except KeyboardInterrupt: exit()

Save it as playSounds.py. Before you run the script you’ll probably need to install the Python serial module. To do that, type:

sudo apt-get install python-serial

If you’re running the latest Raspbian, you probably have everything you need to get this running. Open the LXTerminal and type:

python playSounds.py

If you get an error that Pygame is not installed, type:

sudo apt-get updatesudo apt-get install python-pygame

You’ll also need some sound files to play. I chose three from the Internet Archive: a generic scream, a Wilhelm Scream, and the classic Castle Thunder sample.

When you press the buttons each sound will play once; Pygame’s mixer will even play all three at the same time if you have multiple trick-or-treaters invading your porch.

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Comment on Pedal Power Phone Charger by Peter Goldstein

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Comment on Make Your Own Skin Care Products from Natural Ingredients by purecollagenreview.org

Naturalbeauty

Fashiontribes has a great roundup post on how you can make your own skincare and beauty products from natural ingredients. I also love the long list of things like avocado, honey, and oatmeal and the essential vitamins they have for your skin. It’s time for a natural face mask this weekend! Link.

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Comment on Super-Capacitor Flashlight by Bfaulkner

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Comment on Disneyland and the Coming Maker Singularity by Bob

MAKE Editorial Director Ken Denmead interviews Adam Savage on May 19 at Maker Faire Bay Area. (Gregory Hayes/MAKE) MAKE Editorial Director Ken Denmead interviews Adam Savage on May 19 at Maker Faire Bay Area. (Gregory Hayes/MAKE)

I’ve been Editorial Director at MAKE for eight weeks now, and much of it still seems a bit like a dream. Of course, it started with the week of Maker Faire Bay Area, which is like a journey to another state of consciousness involving 16-hour days, fire-breathing dragons, and meeting mythical folks like Adam Savage (@donttrythis), Grant Imahara (@grantimahara), and Veronica Belmont (@veronica). After seven years of attending (usually running a booth as a sponsor), I’ve started to really be able to see the evolution of the show, and get a real sense of what the Maker Movement is all about.

It’s just people doing what they love; creating, designing, building, testing, re-building, perfecting, learning, showing-off, and living a constructive life.

In an earlier editorial piece I wrote a few weeks ago (Why the Maker Movement is Here to Stay), I noted that there have been folks doing this forever. That what makes the Maker Movement a distinct thing is the communication and sharing allowed by the Internet. That makers who were once isolated are now connected, and that the networking allowed by these connections amplifies the creative effect by orders of magnitude. It’s kind of like a Maker Singularity. Through all this sharing of information, all this building of new things, or re-creation of old things that we can do at home, in our workshops instead of in factories, we’re generating a massive, self-aware Maker Consciousness that will lead us into a new epoch of creativity and craftsmanship.

Or, you know, we’ll keep making automatic cat feeders. That’s cool, too.

Next week, my family and I are traveling down to sunny Anaheim to spend a week at the Disneyland Resort (I plan to split my time between the Uva Bar in Downtown Disney, the Cove Bar behind Ariel’s Grotto, the lounge at the Carthay Circle, and the Hearthstone Lounge in the Grand Californian – sense a theme here?), and with all this talk about makers before the Maker Movement, it reminded me of this wonderful video I saw of late:

First of all, if you don’t know about the Disney History Institute, go check it out. So much neat history and imagery there. Second, this video made me think about Walt Disney as a maker. Disneyland was the first modern theme park. Before it, there were amusement parks, but those were a different beast. Walt created the idea of a park built around a theme, and today the Disney parks are the gold standard against which all others are measured.

But what’s really interesting to see in the video collection above and the notes that go with it is how much was unfinished, or tried and quickly discarded. There were no costumed characters in the first year (they borrowed costumes from the Ice Capades show for special occasions). They had cool motorboats. There were safety violations galore. There were rides next to piles of dirt! Disneyland was, at its start, very much a work in progress, being made and re-made as it went, on a shoestring. It was a maker’s paradise.

Here at Maker HQ, that kind of energy is all around. Right now, we are in the middle of so many programs and projects, it’d make your head spin. We launched Maker Camp this week, which is just amazing; kids from all over the world sharing in the joy of making. If you haven’t, you should join the Maker Camp Community, just to see the projects they are sharing. It will inspire you!

We’re also hard at work on two volumes of the magazine slated to come out before the end of the year. V36 is going to be all about boards – you know, things like Arduino and Raspberry Pi. There are so many new ones out there, that it’s hard to keep up! So, we’re collecting all the up-to-date info available: especially all the cool specialty boards coming out of crowdfunding sites. So often, the people behind these are just awesome makers who had the need for a feature that wasn’t out there on the market already, or required serious modding to achieve, and so they designed their own board and offered it up for anyone else with the same needs. Definitely one tendril of the Maker Singularity at work!

[Here's a little inside-baseball on assembling a magazine: one of our biggest challenges right now with respect to the Boards issue is coming up with a compelling cover image/design. How do you create a magazine cover about a small green and black piece of electronics so exciting, so compelling that it flies off the shelves? It's a question that our Creative Director Jason Babler is struggling with. Feel free to post your ideas in the comments!]

The other magazine in progress is an update to our 3D printer guide. I can’t tell you too much about it (our Technical Editor Sean Ragan is keeping things under wraps until we have our big weekend testing blitz), but with all the new machines that have come out over the last year, and all the innovation going on in this space, we’re taking this one to 11. Just know that we take our job providing this important resource to makers very seriously.

We have our partnership with RadioShack helping us put out some amazing Weekend Projects. If you are an electronics enthusiast, you’ll really want to check them out (I was very proud to do the voiceover for the first one). It’s so neat to see RadioShack embracing this space again!

new-york-circle-logoAnd at the same time as all of this other stuff, planning is underway for World Maker Faire, in New York in September. I’m really excited to go to NY for my first WMF this year, because while I know there’s a lot of the same energy as Maker Faire Bay Area, there will be so many new things to see. And there’s a place where you can help out. Our Call for Makers is open right now. What does that mean? It means if you’re a maker, if you’re creating cool stuff, apply to us and you might get a free space to come show it off at the Faire! Here are the kinds of things we look for:

Student projectsRoboticsArduino projectsRaspberry PiSpace projectsFood makersConductive materials projectsKit makersInteractive art projects3D printers and CNC millsTextile arts and craftsHome energy monitoringRockets and RC toysSustainabilityGreen techRadios, vintage computers and game systemsElectronicsElectric vehiclesBiology/biotech and chemistry projectsPuppetsKitesBicyclesShelter (tents, domes, etc.)Music performances and participationUnusual tools or machinesHow to fix things or take them apart (vacuums, clocks, washing machines, etc.)

And that’s not even the tip of the iceberg. So, consider applying. I’m personally trying to get some geeky music acts into the mix. I’ve been podcasting about nerdore, chiptunes, and more with my buddy Z (@hipsterplease) for years now, and these folks who are making cool music, often hacking their own instruments and creating imaginative shows on a DIY basis are inspirations. And if you’re not local to the event, we even have a special Road to Maker Faire Challenge going on, that could help you get there.

RTMFC_620x120

The Road to Maker Faire Challenge will award $2,500 to one winner to bring his or her project to World Maker Faire on Sep. 21 & 22, 2013 in New York. Use the funding for materials, transport, or anything else you might need to get to Maker Faire. Applications are due by 11:59pm PT on August 5, 2013.

Enter Now!

You can count on hearing more from me here on the blog. My goal is to get some conversations going with all you great makers out there. We’re here to talk WITH you, not just at you, and we want to generate more of that two-way communication. As always, you can submit links and project ideas. I’m also running an experiment with a Make Magazine SubReddit, so folks can submit links and vote on them to tell us what everyone really wants us to write about. You can always nudge me on Twitter. And please, if there are subjects you’d like to hear more about, or you’d just like to say hello and tell me about what you’re working on, leave a note in the comments. We read every one!

p.s. In a strange, synchronistic manner, the press release for the trailer for this movie that I had not heard about just dropped in my email. The story of Walt Disney cajoling the rights to make a Mary Poppins movie from P.L. Travers, with Tom Hanks as Walt and Emma Thompson as Mrs. Travers. I can’t wait to see this!

Ken is the Editorial Director of Make. He's not sure what that means, other than he oversees your digital connection with Make, be that reading the magazine, the blog, chatting on social networks, or bugging you at Maker Faire. He's a husband and father from the SF Bay Area, and has written three books filled with projects for geeky parents and kids to share. He feels extremely lucky to get to do what he does, and hopes he can help you feel that way, too.

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Comment on Disneyland and the Coming Maker Singularity by Andrew Terranova

MAKE Editorial Director Ken Denmead interviews Adam Savage on May 19 at Maker Faire Bay Area. (Gregory Hayes/MAKE) MAKE Editorial Director Ken Denmead interviews Adam Savage on May 19 at Maker Faire Bay Area. (Gregory Hayes/MAKE)

I’ve been Editorial Director at MAKE for eight weeks now, and much of it still seems a bit like a dream. Of course, it started with the week of Maker Faire Bay Area, which is like a journey to another state of consciousness involving 16-hour days, fire-breathing dragons, and meeting mythical folks like Adam Savage (@donttrythis), Grant Imahara (@grantimahara), and Veronica Belmont (@veronica). After seven years of attending (usually running a booth as a sponsor), I’ve started to really be able to see the evolution of the show, and get a real sense of what the Maker Movement is all about.

It’s just people doing what they love; creating, designing, building, testing, re-building, perfecting, learning, showing-off, and living a constructive life.

In an earlier editorial piece I wrote a few weeks ago (Why the Maker Movement is Here to Stay), I noted that there have been folks doing this forever. That what makes the Maker Movement a distinct thing is the communication and sharing allowed by the Internet. That makers who were once isolated are now connected, and that the networking allowed by these connections amplifies the creative effect by orders of magnitude. It’s kind of like a Maker Singularity. Through all this sharing of information, all this building of new things, or re-creation of old things that we can do at home, in our workshops instead of in factories, we’re generating a massive, self-aware Maker Consciousness that will lead us into a new epoch of creativity and craftsmanship.

Or, you know, we’ll keep making automatic cat feeders. That’s cool, too.

Next week, my family and I are traveling down to sunny Anaheim to spend a week at the Disneyland Resort (I plan to split my time between the Uva Bar in Downtown Disney, the Cove Bar behind Ariel’s Grotto, the lounge at the Carthay Circle, and the Hearthstone Lounge in the Grand Californian – sense a theme here?), and with all this talk about makers before the Maker Movement, it reminded me of this wonderful video I saw of late:

First of all, if you don’t know about the Disney History Institute, go check it out. So much neat history and imagery there. Second, this video made me think about Walt Disney as a maker. Disneyland was the first modern theme park. Before it, there were amusement parks, but those were a different beast. Walt created the idea of a park built around a theme, and today the Disney parks are the gold standard against which all others are measured.

But what’s really interesting to see in the video collection above and the notes that go with it is how much was unfinished, or tried and quickly discarded. There were no costumed characters in the first year (they borrowed costumes from the Ice Capades show for special occasions). They had cool motorboats. There were safety violations galore. There were rides next to piles of dirt! Disneyland was, at its start, very much a work in progress, being made and re-made as it went, on a shoestring. It was a maker’s paradise.

Here at Maker HQ, that kind of energy is all around. Right now, we are in the middle of so many programs and projects, it’d make your head spin. We launched Maker Camp this week, which is just amazing; kids from all over the world sharing in the joy of making. If you haven’t, you should join the Maker Camp Community, just to see the projects they are sharing. It will inspire you!

We’re also hard at work on two volumes of the magazine slated to come out before the end of the year. V36 is going to be all about boards – you know, things like Arduino and Raspberry Pi. There are so many new ones out there, that it’s hard to keep up! So, we’re collecting all the up-to-date info available: especially all the cool specialty boards coming out of crowdfunding sites. So often, the people behind these are just awesome makers who had the need for a feature that wasn’t out there on the market already, or required serious modding to achieve, and so they designed their own board and offered it up for anyone else with the same needs. Definitely one tendril of the Maker Singularity at work!

[Here's a little inside-baseball on assembling a magazine: one of our biggest challenges right now with respect to the Boards issue is coming up with a compelling cover image/design. How do you create a magazine cover about a small green and black piece of electronics so exciting, so compelling that it flies off the shelves? It's a question that our Creative Director Jason Babler is struggling with. Feel free to post your ideas in the comments!]

The other magazine in progress is an update to our 3D printer guide. I can’t tell you too much about it (our Technical Editor Sean Ragan is keeping things under wraps until we have our big weekend testing blitz), but with all the new machines that have come out over the last year, and all the innovation going on in this space, we’re taking this one to 11. Just know that we take our job providing this important resource to makers very seriously.

We have our partnership with RadioShack helping us put out some amazing Weekend Projects. If you are an electronics enthusiast, you’ll really want to check them out (I was very proud to do the voiceover for the first one). It’s so neat to see RadioShack embracing this space again!

new-york-circle-logoAnd at the same time as all of this other stuff, planning is underway for World Maker Faire, in New York in September. I’m really excited to go to NY for my first WMF this year, because while I know there’s a lot of the same energy as Maker Faire Bay Area, there will be so many new things to see. And there’s a place where you can help out. Our Call for Makers is open right now. What does that mean? It means if you’re a maker, if you’re creating cool stuff, apply to us and you might get a free space to come show it off at the Faire! Here are the kinds of things we look for:

Student projectsRoboticsArduino projectsRaspberry PiSpace projectsFood makersConductive materials projectsKit makersInteractive art projects3D printers and CNC millsTextile arts and craftsHome energy monitoringRockets and RC toysSustainabilityGreen techRadios, vintage computers and game systemsElectronicsElectric vehiclesBiology/biotech and chemistry projectsPuppetsKitesBicyclesShelter (tents, domes, etc.)Music performances and participationUnusual tools or machinesHow to fix things or take them apart (vacuums, clocks, washing machines, etc.)

And that’s not even the tip of the iceberg. So, consider applying. I’m personally trying to get some geeky music acts into the mix. I’ve been podcasting about nerdore, chiptunes, and more with my buddy Z (@hipsterplease) for years now, and these folks who are making cool music, often hacking their own instruments and creating imaginative shows on a DIY basis are inspirations. And if you’re not local to the event, we even have a special Road to Maker Faire Challenge going on, that could help you get there.

RTMFC_620x120

The Road to Maker Faire Challenge will award $2,500 to one winner to bring his or her project to World Maker Faire on Sep. 21 & 22, 2013 in New York. Use the funding for materials, transport, or anything else you might need to get to Maker Faire. Applications are due by 11:59pm PT on August 5, 2013.

Enter Now!

You can count on hearing more from me here on the blog. My goal is to get some conversations going with all you great makers out there. We’re here to talk WITH you, not just at you, and we want to generate more of that two-way communication. As always, you can submit links and project ideas. I’m also running an experiment with a Make Magazine SubReddit, so folks can submit links and vote on them to tell us what everyone really wants us to write about. You can always nudge me on Twitter. And please, if there are subjects you’d like to hear more about, or you’d just like to say hello and tell me about what you’re working on, leave a note in the comments. We read every one!

p.s. In a strange, synchronistic manner, the press release for the trailer for this movie that I had not heard about just dropped in my email. The story of Walt Disney cajoling the rights to make a Mary Poppins movie from P.L. Travers, with Tom Hanks as Walt and Emma Thompson as Mrs. Travers. I can’t wait to see this!

Ken is the Editorial Director of Make. He's not sure what that means, other than he oversees your digital connection with Make, be that reading the magazine, the blog, chatting on social networks, or bugging you at Maker Faire. He's a husband and father from the SF Bay Area, and has written three books filled with projects for geeky parents and kids to share. He feels extremely lucky to get to do what he does, and hopes he can help you feel that way, too.

reade more... Résuméabuiyad

Comment on 2-channel RF Transmitter by Thạch(t h a c h)

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Comment on Super-Capacitor Flashlight by Scott_Tx

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Comment on Comments down for now by diet patch trial

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Comment on Raspberry Pi Design Contest Slideshow by jim bredda

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49

Raspberry Pi Wifi Internet Radio Player

For my first project i wanted to make a battery powered wireless internet radio stream player. Something that could connect to the internet and flip though a list of radio streams. I had never used Linux before but am a .NET developer with Googling skills. Turned out I found a way to get it to work. I now have a flawless radio player for my office. I can even change stations and volume from my phone. For my first project i wanted to make a battery powered wireless internet radio stream player. Something that could connect to the internet and flip though a list of radio streams. I had never used Linux before but am a .NET developer with Googling skills. Turned out I found a way to get it to work. I now have a flawless radio player for my office. I can even change stations and volume from my phone.

Project Link

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Comment on find the game come at the public library of New York from the NYPL Apps & games: make 'extraordinary Futures '? | Words in the space

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Comment on Solar USB Charger by teknoah

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Comment on MAKE 34: Robotics by dugjohnson

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Comment on Open Fit Lab’s Custom Jeans by Carol Solaas

Open Fit Lab is an ingenious project by Kyle McDonald and Lisa Cori Chung, which uses a Kinect camera to scan a person’s body and uses algorithms to create custom pants patterns for that person!

We thought the most fun way to test everything out would be to mashup the pop-up shop idea with a party, so we invited a bunch of friends to Pinion Gallery in Brooklyn and made the first six people custom fit jeans. The only catch was that they had to wear skin-tight bright green leggings in front of all their friends, so we made sure to provide some proper cheering and sufficient alcohol. Even though all the software is very beta, a few pairs fit really well, even with all the room for errors in measuring, cutting, and sewing.

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Comment on supercapacitor flashlight funny8767

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Comment on The Drill Rod by matt senn

The Drill Rod

I have a 25? cruising tugboat in Florida, and I wanted a small, lightweight ride that I could keep onboard for making beer and ice runs when I pull into a marina. After seeing a short segment on TV about a cordless-drill-powered bike at a hardware convention, I decided to build my own.

Behold the result: the Drill Rod. Equipped with a 36-volt drill, this brute accelerates from 0 to 10mph in just 2 seconds and is responsive enough to do tricks like standing on its back wheel.

As for styling, it’s been said that when I’m on my Drill Rod, I look like a circus bear on a tricycle (duly note the photo in Step 1). You will not attract potential romantic partners when riding this. Trust me.

When I started the project, I contacted the company that made the bike I saw on TV and asked if they could just sell me the right-angle gearbox that enables the center-mounted drill to drive the rear wheel. But they refused; they would only sell a finished bike.

I continued looking for ways to build my own. At a flea market, I found a tiny battery-powered bike for kids called the Electric Punk, made by Razor. I bought it for $60 and took it home. With its small battery and motor, I knew it was underpowered for what I needed, and its 7" rear wheel looked too small to support the weight of an adult.

On flat pavement, the Electric-Punk only went 5mph, and it couldn’t even pull me up my driveway slope. But its small frame was perfect for the project.

For the engine, I used a 36V Bosch Litheon drill, which was the most powerful cordless I could find. I bought it reconditioned through Amazon for $219. I also found a nice, small right-angle gearbox (1:1 ratio) made by Torque Transmission, model #RAB-1, which was rated at 1/3HP at the drill’s maximum speed of 1,800rpm.

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Comment on how-to: make your own gear by Dan Rushton

MZ_Mechanics.gifscrap_gears.jpg

We asked Dustyn Roberts, who teaches a course at NYU’s Interactive Telecommunications Program (ITP), called Mechanisms and Things That Move, to contribute something on fabricating your own gears for our Physical Science and Mechanics theme. Dustyn has written a book, called Making Things Move. It’ll be out in the fall and we’ll have more about it, and likely a giveaway, then. Thanks, Dustyn! — Gareth

Gears are easy to understand, make, and use, if you know the vocabulary and can space the gears at the correct distance apart. One nice thing about gears is that if you know any two things about them – let’s say outer diameter and number of teeth — you can use some simple equations to find everything else you need to know, including the correct center distance between them. First, look over the anatomy of the spur gear pair in figure 1 and the vocab below.

Number of Teeth (N) Pitch Diameter (D): The circle on which two gears effectively mesh, about halfway through the tooth. The pitch diameters of two gears will be tangent when the centers are spaced correctly.Diametral Pitch (P): The number of teeth per inch of the circumference of the pitch diameter. Think of it as the density of teeth — the higher the number, the smaller and more closely spaced the teeth on a gear. Common diametral pitches for hobby-size projects are 24, 32, and 48. The diametral pitch of all meshing gears must be the same.Circular Pitch (p) = pi / P: The length of the arc between the center of one tooth and the center of a tooth next to it. This is just pi (I€ = 3.14) divided by the diametral pitch (P). Although rarely used to identify off the shelf gears, you may need this parameter when modeling gears in 2D and 3D software like we’re doing here. As with diametral pitch, the circular pitch of all meshing gears must be the same.Outside Diameter (Do): The biggest circle that touches the edges of the gear teeth. You can measure this using a caliper like Sparkfun.com’s # TOL-00067.
Note: Gears with an even number of teeth are easiest to measure, since each tooth has another tooth directly across the gear. On a gear with an odd number of teeth, if you draw a line from the center of one tooth straight through the center across the gear, the line will fall between two teeth. So, just be careful using outside diameter in your calculations if you estimated it from a gear with an odd number of teeth.Center Distance (C): Half the pitch diameter of the first gear plus half the pitch diameter of the second gear will equal the correct center distance. This spacing is critical for creating smooth running gears.Pressure Angle: The angle between the line of action (how the contact point between gear teeth travels as they rotate) and the line tangent to the pitch circle. Standard pressure angles are, for some reason, 14.5A° and 20A°. A pressure angle of 20A° is better for small gears, but it doesn’t make much difference. It’s not important to understand this parameter, just to know that the pressure angle of all meshing gears must be the same.

figure001.jpg
Figure 1

All of these gear parameters relate to each other with simple equations. The equations in the table below come from the excellent (and free) design guide published by Boston Gear [PDF].

table.jpg

Making your own

This project is adapted from a blog post a student did in my first Mechanisms and Things That Move class at NYU’s ITP. We’ll design and fabricate spur gears using free software (Inkscape) and an online store (Ponoko.com) that does custom laser cutting at affordable prices out of a variety of materials. If you have access to a laser cutter at a local school or hackerspace, even better! You can also print out the template and fix it to cardboard or wood to cut the gears by hand.

Download and install Inkscape from www.inkscape.org. It’s a free, open-source vector based drawing program similar to Adobe Illustrator. It plays well with most modern Windows, Mac, and Linux operating systems (check FAQ for details).Go to www.ponoko.com/make-and-sell/downloads and download their Inkscape starter kit. This will give you a making guide (a PDF file) and three templates that relate to the sizes of materials Ponoko stocks. Unzip the file and save to somewhere you’ll remember.Open a new file in Inkscape. Under the file menu, go to Document Properties to get the window shown in Figure 2. Change the default units in the upper right hand corner to inches. Back in the main window, change the rulers from pixels to inches in the toolbar. Your screen should look like Figure 2. Once set, exit that window.

figure002.jpg
Figure 2

Now let’s make some gears! Go to the toolbar and choose Extensions –> Render –> Gear. A small Gear window will pop up that gives you three options: Number of Teeth, Circular pitch, px, and Pressure angle. Leave Pressure angle alone — the 20A° default is standard for off the shelf gears so is a good place to start. In Figure 3, you can see that I chose 28 teeth with a circular pitch of 24. Click Apply, then Close.

Note on circular pitch: In Inkscape, the circular pitch is given in pixels, not inches, as we’re used to using in the equations in the above table. You can get different gear ratios by just choosing a circular pitch that looks good and varying the teeth number, but if you want to make gears that interface with off the shelf gears, you need to pay a little bit more attention. By default in Inkscape there are 90 pixels in 1 inch. So if you set circular pitch to 24px in the gear tool as done above, that rounds to 0.267 inches (24/90 = 0.2666…). Since diametral pitch (P) = I€ / circular pitch (p), the diametral pitch (P) in inches is = I€ / 0.267 = 11.781. You will not find any off the shelf gears with a diametral pitch of 11.781. As mentioned earlier, common diametral pitches are 24, 32, and 48. So if you plan to make gears to play nice with off the shelf gears, start with the diametral pitch of your off the shelf gear and use the equations in the table to work backwards to what your circular pitch should be in pixels in Inkscape.

figure003.jpg
Figure 3

Now, since gears are no fun by themselves, follow steps 4 and 5 again to make at least one more gear. The second gear shown in figure 30 has 14 teeth. Remember: The pressure angle and circular pitch must be the same for the gears to mesh – only change the number of teeth!Use the circle tool and hold down the CTRL button (on a PC) to draw a circle inside the big gear. The default circle shows up filled in with black. Zoom in if you need to. Make sure the arrow selector is active and click on the circle. Make sure inches is selected in the toolbar and the lock button looks locked. Type 0.250 in the W box in the toolbar, press enter, and watch the H box change automatically. Your circle will resize to 0.250 inches in diameter and your screen should look like Figure 4.

figure004.jpg
Figure 4

Click and drag a box around the big gear, small gear, and circle shape to select them all. From the menu bar, choose Object –> Fill and Stroke. A window that looks like Figure 5 should pop up. In the Fill tab, click the X button for no paint.In the Stroke paint tab, click the button next to the X for flat color. Leave the color default (black) for now.In the Stroke style tab, change the width to 0.030 mm and hit enter. This is what Ponoko wants the line thickness to be for laser cuts. Adjust if necessary if you’re using a different laser cutter. Close the window.

figure005.jpg
Figure 5

Now we need to get this circle in the exact center of the gear. Make sure the arrow selector is active. Click and drag a box around the big gear and the circle to select them both. On the menu bar, go to Object –> Align and Distribute. Click on the “center object horizontally” button highlighted in figure 6, then the one right below it – “center objects vertically.” Now you have a gear with a hole perfectly centered! Copy and paste this circle and repeat this step to center a circle in the other gear.

figure006.jpg
Figure 6

Now that we have our gears, let’s create a base with holes spaced the correct distance apart so we can mount the gears with 1/4? wooden dowels and make them spin. First, we need to calculate what the center distance (CD) of our gears is using the equations from the table. Both of our gears have a circular pitch of 24 px, a pressure angle of 20A°. The big gear has 28 teeth and the small one has 14. In the note on step 4, we converted the circular pitch in pixels to a diametral pitch in inches of 11.781. If we look at the table, all we need is that number and the numbers of teeth on the two meshing gears to find the center distance (CD). Use the equation CD = (N1 + N2)/2P and you’ll find that CD = 1.783.Now, copy one of the circles inside the gears, and paste two of them about two inches apart on the lower part of the template. Select the one farthest to the left, and change the X coordinate in the toolbar to 3 inches, then hit enter. Your screen should look like Figure 7.

figure007.jpg
Figure 7

Use the same procedure to place the second circle to the right of the first with an X coordinate of 4.783. This is the center distance we calculated above (1.783) added to the X coordinate of the first circle (3.000).Now draw a rectangle around the two circles to complete the base. Align the rectangle with the two circles as shown in Figure 8.

figure008.jpg
Figure 8

Now we need to prepare the file to be uploaded and ordered on Ponoko.com. Ponoko uses colors to indicate how they should treat the files — for example, a blue 0.030 mm line means cut it all the way through. So select everything you’ve drawn so far, go to the color swatches at the bottom of the screen, and hold down the shift button while you click on blue.Open the P1.svg template you downloaded earlier. Select everything you have drawn so far, and copy and paste it into this template as shown in Figure 9. Don’t worry about the orange border and words — Ponoko knows only to cut the blue outlines.

figure009.jpg
Figure 9

Save the file and go to Ponoko.com to set up a free account, upload it, pick a material, and get it shipped! I chose blonde bamboo as shown in Figure 10 and the total cost was just $4.13 (plus shipping).

Note: Once you open your free account, go to My Accounts –> Preferences to set your shipping hub to Ponoko – United States (or the closest location to you). Mine was accidentally set to New Zealand so my shipping charges were curiously high until I figured this out.

figure010.jpg
Figure 10

Your Ponoko order should arrive in a couple weeks, unless you specify a rush. While you’re waiting, get a 1/4? wooden dowel from your local hardware or craft store (or McMaster, of course). Cut off two 2? sections with a hobby knife and file down any splintery ends.The gears will come in the square template with a sticky paper protector on each side. Peel off the paper, pop out the gears, and position the two gears over the holes in the base. Insert your wooden dowels, and voila!

figure011.jpg
Figure 11

BIO: Dustyn Roberts is a traditionally-trained engineer with non-traditional ideas about how engineering can be taught. She started her career at Honeybee Robotics, as an engineer on the Sample Manipulation System project for NASA’s Mars Science Laboratory mission, scheduled for launch in 2011. After consulting with two artists during their residency at Eyebeam Art + Technology Center in NYC in 2006, she founded Dustyn Robots (www.dustynrobots.com) and continues to engage in consulting work ranging from gait analysis to designing guided parachute systems. In 2007, she developed a course for NYU’s Interactive Telecommunications Program (ITP) called Mechanisms and Things That Move that led to writing a book called Making Things Move: DIY Mechanisms for Inventors, Hobbyists, and Artists, due out in fall 2010. Dustyn holds a BS in Mechanical and Biomedical Engineering from Carnegie Mellon University, an MS in Biomechanics & Movement Science from the University of Delaware, and will begin a PhD program in Mechanical Engineering at NYU-Poly in August this year. Media coverage of her work has appeared in Time Out New York, IEEE Spectrum, and other local organizations. She lives in New York City with her partner, Lorena, and cat, Simba.

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Comment on Herbal Tinctures by Heather Cadieux

Where DIY professionals and hobbyists go to learn, create, and share
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Comment on Minority Report-style Mobile Interface by ps4 rumors

Where DIY professionals and hobbyists go to learn, create, and share
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Give your opinion on Intel has copied the manufacturer, one idea? by land

keyboard_frequency_sculpture
A couple of years, that we have presented a project of Mike Knuepfel called the Sculpture of frequency of the keyboard. Laura Cochrane wrote:

I love the physical and Visual data representation. If done well, it can always change the way a person thinks and includes something.
So, I think that this sculpture of frequency keyboard by Mike Knuepfel is neat. It depicts the keyboard keys are used more frequently, at the height of the proportional to how many times key has been used. I'd love to see this sculpture in reverse, with the less sense the highest and most commonly used keys, creating deep indentations.

Today Intel tweeted this image with the caption "what keys are used the most? Tip: we love the Blues. »
BOWgigOCAAEwLFQ

The resemblance is certainly undeniable. What do you think? Is it a case of parallel development, use without attribution, breach of copyright or even outright theft? Please let us know in the comments.

I do not work in manufacturing, design, electronic sound, music production and performance (Yes). All ca.) Also a graduate of NYU Interactive Telecommunications Program (ITP).

I have three black cats.

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Comment on the string Art typography by Vivian

By: Michael ColomboComments: 11by: Jason Poel SmithComments: 10de: Michael ColomboComments: 9Sorry, I could not read the content fromt this page.
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Comments on MAKE 34: Robotics by Leonard Rodriguez

Join the robot uprising! There has never been a better time to delve into robotics, whether you're a handyman or a more serious Explorer. With powerful tools and expertise available now, the next leap in the evolution of robot is just as likely to come from your garage as a research laboratory.
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Comment on projects in motion: control three Types of engines with 555 Timers of Tracie

Projects in Motion: Control Three Types of Motors with 555 Timers

With a 1 billion about 555 timers manufactured every year, you know that this component must be versatile! We will learn to create and manage drivers for three types of engines using a comp, resistors, diodes, transistors and some 555 timers (with a pinch of CMOS logic) very different. These drivers are the basis of many Robotics and other motor-control applications.

The first project is one of the simplest circuit models "H-bridge" autour. It consists of only two 555 clocks, a potentiometer and a few threads of connection on your comp.

In the second project, we build a servomotor controller using 555 as a chip and a small assortment of other parts. Servos often act as the 'muscle' of a robot.

And finally, for the third project, explained in three steps, we will build a step-by-step simple motor controller. This project will introduce you to the door of logic XOR (pronounced "Eks - or"). Exclusive or, the result is true if door a or door two is true; If both doors are true, or both doors are false, the output is set to false.

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Give your opinion on Intel has copied the manufacturer, one idea? by land

keyboard_frequency_sculpture
A couple of years, that we have presented a project of Mike Knuepfel called the Sculpture of frequency of the keyboard. Laura Cochrane wrote:

I love the physical and Visual data representation. If done well, it can always change the way a person thinks and includes something.
So, I think that this sculpture of frequency keyboard by Mike Knuepfel is neat. It depicts the keyboard keys are used more frequently, at the height of the proportional to how many times key has been used. I'd love to see this sculpture in reverse, with the less sense the highest and most commonly used keys, creating deep indentations.

Today Intel tweeted this image with the caption "what keys are used the most? Tip: we love the Blues. »
BOWgigOCAAEwLFQ

The resemblance is certainly undeniable. What do you think? Is it a case of parallel development, use without attribution, breach of copyright or even outright theft? Please let us know in the comments.

I do not work in manufacturing, design, electronic sound, music production and performance (Yes). All ca.) Also a graduate of NYU Interactive Telecommunications Program (ITP).

I have three black cats.

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Give your opinion on Intel has copied the manufacturer, one idea? M Lange (@errorad)

keyboard_frequency_sculpture
A couple of years, that we have presented a project of Mike Knuepfel called the Sculpture of frequency of the keyboard. Laura Cochrane wrote:

I love the physical and Visual data representation. If done well, it can always change the way a person thinks and includes something.
So, I think that this sculpture of frequency keyboard by Mike Knuepfel is neat. It depicts the keyboard keys are used more frequently, at the height of the proportional to how many times key has been used. I'd love to see this sculpture in reverse, with the less sense the highest and most commonly used keys, creating deep indentations.

Today Intel tweeted this image with the caption "what keys are used the most? Tip: we love the Blues. »
BOWgigOCAAEwLFQ

The resemblance is certainly undeniable. What do you think? Is it a case of parallel development, use without attribution, breach of copyright or even outright theft? Please let us know in the comments.

I do not work in manufacturing, design, electronic sound, music production and performance (Yes). All ca.) Also a graduate of NYU Interactive Telecommunications Program (ITP).

I have three black cats.

reade more... Résuméabuiyad

Give your opinion on Intel has copied the manufacturer, one idea? by Timothy LaFontaine

keyboard_frequency_sculpture
A couple of years, that we have presented a project of Mike Knuepfel called the Sculpture of frequency of the keyboard. Laura Cochrane wrote:

I love the physical and Visual data representation. If done well, it can always change the way a person thinks and includes something.
So, I think that this sculpture of frequency keyboard by Mike Knuepfel is neat. It depicts the keyboard keys are used more frequently, at the height of the proportional to how many times key has been used. I'd love to see this sculpture in reverse, with the less sense the highest and most commonly used keys, creating deep indentations.

Today Intel tweeted this image with the caption "what keys are used the most? Tip: we love the Blues. »
BOWgigOCAAEwLFQ

The resemblance is certainly undeniable. What do you think? Is it a case of parallel development, use without attribution, breach of copyright or even outright theft? Please let us know in the comments.

I do not work in manufacturing, design, electronic sound, music production and performance (Yes). All ca.) Also a graduate of NYU Interactive Telecommunications Program (ITP).

I have three black cats.

reade more... Résuméabuiyad

Give your opinion on Intel has copied the manufacturer, one idea? by michaeljsouth

keyboard_frequency_sculpture
A couple of years, that we have presented a project of Mike Knuepfel called the Sculpture of frequency of the keyboard. Laura Cochrane wrote:

I love the physical and Visual data representation. If done well, it can always change the way a person thinks and includes something.
So, I think that this sculpture of frequency keyboard by Mike Knuepfel is neat. It depicts the keyboard keys are used more frequently, at the height of the proportional to how many times key has been used. I'd love to see this sculpture in reverse, with the less sense the highest and most commonly used keys, creating deep indentations.

Today Intel tweeted this image with the caption "what keys are used the most? Tip: we love the Blues. »
BOWgigOCAAEwLFQ

The resemblance is certainly undeniable. What do you think? Is it a case of parallel development, use without attribution, breach of copyright or even outright theft? Please let us know in the comments.

I do not work in manufacturing, design, electronic sound, music production and performance (Yes). All ca.) Also a graduate of NYU Interactive Telecommunications Program (ITP).

I have three black cats.

reade more... Résuméabuiyad